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2008
- 2009 Season At The Huntington
Offers World Premieres, Stoppard and "Pirates"
Peter DuBois, New Artistic Director, Begins Work
July 1
The Huntington Theatre Company has announced
its 2008-2009 Season, the first under new Artistic Director Peter
DuBois (at left), who begins his tenure July 1. The season will
feature two world premiere productions, one American premiere, two reinvigorated
classics, and the latest critical smash from Tom Stoppard.
The season includes the following:
“How Shakespeare Won The West"
A world premiere by Tony Award-winner Richard Nelson
Directed by Jonathan Moscone
September 5 - October 5 at the Huntington’s main stage, the Boston
University Theatre.
Based on a true story, “How Shakespeare Won the West” is a
funny and highly theatrical look at a troupe of 19th century actors who
cross the U.S. to perform Shakespeare for entertainment-starved panhandlers
caught up in the Gold Rush. DuBois calls it “a celebration of ambition
and the human spirit. Richard has written a love letter to the theatre
with his latest play.” Nelson’s work has been seen at the
Huntington twice before; he wrote and directed an acclaimed adaptation
of “James Joyce’s The Dead” in the
2000-2001 season, and wrote a translation of “The Cherry
Orchard” in 2007.
“Boleros for the Disenchanted”
By José Rivera
Directed by Chay Yew
October 10 - November 15 at the Huntington’s Calderwood Pavilion
“Boleros for the Disenchanted” is Academy Award-nominated
writer José Rivera’s moving portrait of a loving marriage
between Flora and Eusebio, two Puerto Rican immigrants whose youthful,
whirlwind romance is tested and strengthened over four decades –
from their homeland to rural Alabama. DuBois says “Boleros”
is “a groundbreaking play and Rivera’s most exciting dramatic
work to date.” Rivera was Oscar-nominated for his screenplay adaptation
of the book, “The Motorcycle Diaries.”
“Rock ‘n’ Roll”
By Tom Stoppard
Directed by Carey Perloff
A co-production with San Francisco’s American Conservatory Theatre
November 7 - December 7 at the Huntington’s main stage, the Boston
University Theatre
Tom Stoppard’s “Rock ‘n’ Roll” is a sweeping,
generation-spanning drama of international dissidents who experience political,
personal, and musical revolutions. In 1968, Russian tanks roll into Prague;
by 1990, the tanks are out and the Rolling Stones are in. Featuring 20+
years of great rock music, “Rock ‘n’ Roll” was
a New York and London hit. “Stoppard’s breathtaking language
and searing intellect propel this stunning new work.” DuBois says.
Ben Brantley of The New York Times called “Rock ‘n’
Roll” "Stoppard’s finest play! It had me hooked."
Kate Burton in “The Corn is Green”
By Emlyn Williams
Directed by Huntington Artist Emeritus Nicholas Martin
January 9 - February 8, 2009 at the Huntington’s main stage, the
Boston University Theatre
The sure-fire team of actress Kate Burton and director Nicholas Martin
(“Hedda Gabler,” “The Cherry Orchard”)
returns to the Huntington with Martin’s critically acclaimed production
of Emlyn Williams’ classic, “The Corn is Green.” Burton
plays idealistic and hardnosed schoolteacher Miss Moffat, who arrives
in a poverty-stricken Welsh coal-mining town to open the community’s
first school. She takes illiterate school bully Morgan (played by Burton’s
son, Morgan Ritchie) under her wing and points him toward
a brighter future in this funny, life-affirming tale. DuBois says “I
am thrilled that the Huntington will remain an artistic home for Nicky,
and so happy to have Kate and Nicky teamed again for this poignant story.”
“The Hinge of the World”
An American premiere
By Richard Goodwin
Directed by Edward Hall
March 6 - April 5, 2009 at the Huntington’s main stage, the Boston
University Theatre
“The Hinge of the World” by historian and former JFK speechwriter
Richard Goodwin captures the moment 400 years ago when Galileo raised
his telescope to the skies and created theories that shook society to
its core. As word spreads from Venice to Rome, the scientist becomes a
target for Pope Urban VIII and his Catholic brethren. Brought before the
Holy Inquisition, Galileo is forced to choose between his religion and
his life’s work in this intelligent, thought-provoking epic drama
about the struggle between reason and faith. Director Edward Hall is Associate
Director of London’s National Theatre and the son
of British director Sir Peter Hall. DuBois calls Hall
“one of the most theatrically daring directors in England. Ed and
Richard proved to be an amazing team when this play was first produced
by Ed’s Propeller Theater Company. It is an honor to present the
American premiere.”
“The Miracle at Naples”
A world premiere
By David Grimm
Directed by Peter DuBois
April 3 - May 9, 2009 at the Calderwood Pavilion
“The Miracle at Naples” is David Grimm’s hilarious and
bawdy comedy, set in Renaissance Italy and focused on the romantic adventures
of a band of commedia players who arrive for the Feast of San Gennaro.
The beautiful maiden Flaminia falls madly in love with actor Giancarlo,
and it’s up to her nurse Francescina to maintain her virtue -- not
easy to do when lovers are displaying their affections all over the piazza.
This outrageous sex farce is by the author of “Measure for
Pleasure” and “Kit Marlowe.”
DuBois says “if Oscar Wilde, Tom Stoppard and Charles Ludlum had
a love child, it would be David Grimm. David’s dazzling language
skills, romanticism and bawdy imagination make him a truly singular writer.
It’s a play about love, appetite, and the role of theatre in a changing
world.”
“The Pirates of Penzance"
A Caribbean-style adaptation of Gilbert and Sullivan’s classic musical
Conceived by Gordon Greenberg, Nell Benjamin, and John McDaniel
With additional book and lyrics by Nell Benjamin
Directed by Gordon Greenberg
May 15-June 14, 2009 at the Huntington’s main stage, the Boston
University Theatre
A raucous and rowdy Caribbean update of the musical comedy classic –
complete with swordfights, sex appeal and all the beloved Gilbert and
Sullivan songs. After a hard-of-hearing nurse mistakes the word "pilot"
for "pirate," young Frederic is apprenticed to a band of swashbuckling
buccaneers. Now a young man with his final days of servitude rapidly approaching,
Frederic longs for a respectable life. In true Gilbert and Sullivan fashion,
mishaps arise and it takes a fair maiden, a fair amount of double-crossing
and the very model of a modern Major General to reach a happy ending.
DuBois says, “Gilbert and Sullivan were sophisticated political
satirists – the Jon Stewarts of their time – and this new
re-imagining is a joyous conclusion to our season!”
Of his first season, DuBois commented, “This upcoming season offers
some of the best writing, directing and acting from Boston to New York
to London. My goal is this: as audiences journey between our homes at
the Boston University Theatre, and the Wimberly and Roberts Theatres at
the Calderwood Pavilion, they will encounter some of the most exciting
work on stage today.”
Season subscriptions are available now, in 4, 5, 6, and
7 play packages. For information, call the box office at 617-266-0800
or visit www.huntingtontheatre.org.
The sale date for individual performances will be announced
soon, as will the attractions in the theater's popular "Huntington
Presents" series.
To read about Peter DuBois' appointment as
Artistic Director, click here.
--
OnStage Boston
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