SpeakEasy
Stage and The Huntington
Tie With Four Honors Each
At 27th Annual Elliot Norton Awards
Boston's
theater community gathered on May 11 for the annual Elliot Norton
Awards, recognizing excellence in Greater Boston theater.
Hosted by Joyce Kulhawik, the 27th annual ceremonies
were held at Sanders Theatre on the campus of Harvard
University.
Playing to a packed house, the evening got underway with
a performance by two of the cast members from "Spring Awakening,"
currently playing at The Colonial Theatre. Blake Bashoff
and Steffi D sang their "I Don't
Do Sadness / Blue Wind" duet.
 The
first celebrity thrill of the evening came via Al Pacino,
who was in the house to accept a special posthumous Norton on behalf of
his friend, Paul Benedict. Just as Pacino has called
Boston his second home, Benedict maintained a long and happy relationship
with the Boston theater world. Despite being described by
Theatre Company of Boston's Harold Wheeler as "shy,"
Pacino was an affable guest, reminiscing about first meeting Paul at the
TCB and sharing stories of their friendship through the years.
As Benedict was also a lover of good jokes, Pacino shared
two of his favorites, one about an actor entering the Pearly Gates and
the second about a birthday party for a baby octopus. Following
his acceptance, Pacino made a quick retreat that mirrored the speedy way
he had previously taken his front row seat as the house lights dimmed
(and the cameras flashed).
 The
other two special awards of the evening went to Joyce Kulhawik
and Rick Lombardo, respectively.
Kulhawik (at left) was presented with StageSource's
Theatre Hero Award for her long standing commitment to covering
the arts in Boston, while the Elliot Norton Prize for Sustained
Excellence was presented to Lombardo, former
Artistic Director of New Repertory Theatre (since relocated
to California to accept a similar position at San Jose Rep).
While Kulhawik offered a touching acceptance that obviously
came from the heart, Lombardo gave the longest speech of the night, going
on without any real direction for almost 20 minutes. This was the
final award of the evening, and while Lombardo's initial comments were
interesting enough, the sermon began to wear thin when he shared a self-serving
story about battling with his first Managing Director at New Rep, who,
in an unnecessary moment, he mentioned by name. He later transitioned
into the dire state of the economy. From theater company budget
cuts to the financial plight of actors only being made worse, he brought
a previously joyful celebration to a restless finish as the audience shifted
in their seats.
The other winners, to their credit, were gracious and succinct. Acclaimed
actress Kate Burton, who has become a regular member
of the community through her work in Williamstown and at the Huntington,
delivered a lovely thank you after being named Best Actress
for her work in "The Corn Is Green."
She also accepted the Best Director award on behalf of
Nicholas Martin.
 When
all the numbers were tallied, SpeakEasy Stage Company
and The Huntington Theatre Company tied with four awards
each. That's Director Scott Edmiston
and SpeakEasy's Artistic Director Paul Daigneault at
left. Edmiston was named Best Director for his work on
"The History Boys"
and "The Light in the Piazza" at SpeakEasy
Stage as well as "Cat on a Hot Tin Roof" at
Lyric Stage Company of Boston.
The full list of winners (highlighted in red) is as follows.
OUTSTANDING VISITING PRODUCTION
"Aurelia’s Oratorio," American Repertory Theatre
"Spalding Gray: Stories Left to Tell," Institute of Contemporary
Art
"Wishful Drinking," Huntington Theatre
Company
OUTSTANDING DESIGN, SMALL/MIDSIZE
COMPANY
David R. Gammons (set), "The Duchess of Malfi" (Actors’
Shakespeare Project)
Janie E. Howland (set), "Eurydice" (New
Repertory Theatre) and "The History Boys" (SpeakEasy Stage Company)
Susan Zeeman Rogers (set), "The Light in the Piazza" (SpeakEasy
Stage Company)
OUTSTANDING DESIGN, LARGE COMPANY
James Noone (set), "The Corn Is Green" (Huntington Theatre Company)
Francis O’Connor (set and costumes), "Two
Men of Florence" (Huntington Theatre Company)
Douglas W. Schmidt (set), "Rock ’n’ Roll" (Huntington
Theatre Company, in association with American Conservatory Theater)
OUTSTANDING SOLO PERFORMANCE
Elizabeth Aspenlieder,
"Bad Dates" (Merrimack Repertory Theatre)
Nancy E. Carroll, "The Year of Magical Thinking" (Lyric Stage
Company of Boston)
Ken Howard, "According to Tip" (New Repertory Theatre)
OUTSTANDING NEW SCRIPT
Dick Flavin, "According to Tip" (New Repertory Theatre)
Ryan Landry (book and lyrics), Ryan Landry and Billy Hough (music), "Whizzin’"
(Gold Dust Orphans)
Joyce Van Dyke, "The Oil Thief" (Boston
Playwrights’ Theatre)
OUTSTANDING DIRECTOR, SMALL/FRINGE
COMPANY
Akiba Abaka, "In the Continuum" (Up You
Mighty Race)
Judy Braha, "The Oil Thief" (Boston Playwrights’ Theatre)
Summer L. Williams, "Voyeurs de Venus" (Company One)
OUTSTANDING DIRECTOR, MIDSIZE COMPANY
Scott Edmiston, "The History Boys" and
"The Light in the Piazza" (SpeakEasy Stage Company) and "Cat
on a Hot Tin Roof" (Lyric Stage Company of Boston)
David R. Gammons, "Blackbird" (SpeakEasy Stage Company) and
"The Duchess of Malfi" (Actors’ Shakespeare Project)
Carmel O’Reilly, "The Seafarer" (SpeakEasy Stage Company)
OUTSTANDING DIRECTOR, LARGE COMPANY
Nicholas Martin, "She Loves Me" and "The
Corn Is Green" (Huntington Theatre Company)
Carey Perloff, "Rock ’n’ Roll" (Huntington Theatre
Company, in association with American Conservatory Theater)
Marcus Stern, "Endgame" (American Repertory Theatre)
OUTSTANDING ACTOR, SMALL/MIDSIZE
COMPANY
Will Lyman, "Exits and Entrances" (New
Repertory Theatre) and "The Oil Thief" (Boston Playwrights’
Theatre)
Richard Snee, "November" (Lyric Stage Company of Boston)
Spiro Veloudos, "Cat on a Hot Tin Roof" (Lyric Stage Company
of Boston)
OUTSTANDING ACTRESS, SMALL/MIDSIZE
COMPANY
Marianna Bassham, "Blackbird" (SpeakEasy
Stage Company)
Georgia Lyman, "Cat on a Hot Tin Roof" (Lyric Stage Company
of Boston) and "Look Back in Anger" (Orfeo Group)
Annette Miller, "Martha Mitchell Calling" (Nora Theatre Company)
OUTSTANDING ACTOR, LARGE COMPANY
Brooks Ashmanskas, "She Loves Me" (Huntington Theatre Company)
Larry Coen, "As You Like It" (Free Shakespeare, presented by
Citi Performing Arts Center)
Fred Sullivan, Jr., "As You Like It" (Free
Shakespeare, presented by Citi Performing Arts Center) and "Blithe
Spirit" (Trinity Repertory Company)
OUTSTANDING ACTRESS, LARGE COMPANY
Kate Burton, "The Corn Is Green" (Huntington
Theatre Company)
Karen MacDonald, "Endgame" and "The Seagull" (American
Repertory Theatre)
Cigdem Onat, "The Cry of the Reed "(Huntington Theatre Company)
OUTSTANDING ENSEMBLE
"The History Boys" (SpeakEasy Stage Company)
"The Seafarer" (SpeakEasy Stage Company)
"Speech & Debate" (Lyric Stage Company
of Boston)
OUTSTANDING PRODUCTION BY A FRINGE
COMPANY
"In the Continuum," Up You Mighty Race
"Look Back in Anger," Orfeo Group
"Voyeurs de Venus," Company One
OUTSTANDING PRODUCTION BY A SMALL
COMPANY
"Awake and Sing!," Sandra Feinstein-Gamm
Theatre
"Faith Healer," Publick Theatre
"QED," Catalyst Collaborative @ MIT and Underground Railway
Theater
OUTSTANDING PRODUCTION BY A MIDSIZE
COMPANY
"The History Boys," SpeakEasy Stage Company
"The Seafarer," SpeakEasy Stage Company
"Speech & Debate," Lyric Stage Company
of Boston
OUTSTANDING PRODUCTION BY A LARGE
COMPANY
"The Corn Is Green," Huntington Theatre Company
"Endgame," American Repertory Theatre
"Rock ’n’ Roll," Huntington Theatre Company, in
association with American Conservatory Theater
OUTSTANDING MUSICAL PRODUCTION
"The Light in the Piazza," SpeakEasy Stage Company
"She Loves Me," Huntington Theatre Company
"Show Boat," North Shore Music Theatre
SPECIAL CITATION
The Howard Gotlieb Archival Research Center, housed
at Boston University
NORTON PRIZE FOR SUSTAINED EXCELLENCE
Rick Lombardo
Throughout the ceremonies, musical accompaniment was provided
by Barry Rocklin. The celebration was capped with a lobby
reception with goodies provided by the kind folks at Upstairs
On The Square.
--
Photos: Leo Gozbekian
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OnStage Boston
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