SpeakEasy 
        Stage and The Huntington 
        Tie With Four Honors Each 
        At 27th Annual Elliot Norton Awards 
        Boston's 
        theater community gathered on May 11 for the annual Elliot Norton 
        Awards, recognizing excellence in Greater Boston theater.  
        Hosted by Joyce Kulhawik, the 27th annual ceremonies 
        were held at Sanders Theatre on the campus of Harvard 
        University. 
      Playing to a packed house, the evening got underway with 
        a performance by two of the cast members from "Spring Awakening," 
        currently playing at The Colonial Theatre.  Blake Bashoff 
        and Steffi D sang their "I Don't 
        Do Sadness / Blue Wind" duet. 
        The 
        first celebrity thrill of the evening came via Al Pacino, 
        who was in the house to accept a special posthumous Norton on behalf of 
        his friend, Paul Benedict.  Just as Pacino has called 
        Boston his second home, Benedict maintained a long and happy relationship 
        with the Boston theater world.   Despite being described by 
        Theatre Company of Boston's Harold Wheeler as "shy," 
        Pacino was an affable guest, reminiscing about first meeting Paul at the 
        TCB and sharing stories of their friendship through the years.   
      As Benedict was also a lover of good jokes, Pacino shared 
        two of his favorites, one about an actor entering the Pearly Gates and 
        the second about a birthday party for a baby octopus.  Following 
        his acceptance, Pacino made a quick retreat that mirrored the speedy way 
        he had previously taken his front row seat as the house lights dimmed 
        (and the cameras flashed). 
        The 
        other two special awards of the evening went to Joyce Kulhawik 
        and Rick Lombardo, respectively.   
      Kulhawik (at left) was presented with StageSource's 
        Theatre Hero Award for her long standing commitment to covering 
        the arts in Boston, while the Elliot Norton Prize for Sustained 
        Excellence was presented to Lombardo, former 
        Artistic Director of New Repertory Theatre (since relocated 
        to California to accept a similar position at San Jose Rep).  
      While Kulhawik offered a touching acceptance that obviously 
        came from the heart, Lombardo gave the longest speech of the night, going 
        on without any real direction for almost 20 minutes.  This was the 
        final award of the evening, and while Lombardo's initial comments were 
        interesting enough, the sermon began to wear thin when he shared a self-serving 
        story about battling with his first Managing Director at New Rep, who, 
        in an unnecessary moment, he mentioned by name. He later transitioned 
        into the dire state of the economy.  From theater company budget 
        cuts to the financial plight of actors only being made worse, he brought 
        a previously joyful celebration to a restless finish as the audience shifted 
        in their seats. 
      The other winners, to their credit, were gracious and succinct. Acclaimed 
        actress Kate Burton, who has become a regular member 
        of the community through her work in Williamstown and at the Huntington, 
        delivered a lovely thank you after being named Best Actress 
        for her work in "The Corn Is Green."  
        She also accepted the Best Director award on behalf of 
        Nicholas Martin. 
        When 
        all the numbers were tallied, SpeakEasy Stage Company 
        and The Huntington Theatre Company tied with four awards 
        each.  That's Director Scott Edmiston 
        and SpeakEasy's Artistic Director Paul Daigneault at 
        left. Edmiston was named Best Director for his work on 
        "The History Boys" 
        and "The Light in the Piazza" at SpeakEasy 
        Stage as well as "Cat on a Hot Tin Roof" at 
        Lyric Stage Company of Boston. 
      The full list of winners (highlighted in red) is as follows. 
      OUTSTANDING VISITING PRODUCTION 
        "Aurelia’s Oratorio," American Repertory Theatre 
        "Spalding Gray: Stories Left to Tell," Institute of Contemporary 
        Art 
        "Wishful Drinking," Huntington Theatre 
        Company 
      OUTSTANDING DESIGN, SMALL/MIDSIZE 
        COMPANY 
        David R. Gammons (set), "The Duchess of Malfi" (Actors’ 
        Shakespeare Project) 
        Janie E. Howland (set), "Eurydice" (New 
        Repertory Theatre) and "The History Boys" (SpeakEasy Stage Company) 
        Susan Zeeman Rogers (set), "The Light in the Piazza" (SpeakEasy 
        Stage Company) 
      OUTSTANDING DESIGN, LARGE COMPANY 
        James Noone (set), "The Corn Is Green" (Huntington Theatre Company) 
        Francis O’Connor (set and costumes), "Two 
        Men of Florence" (Huntington Theatre Company) 
        Douglas W. Schmidt (set), "Rock ’n’ Roll" (Huntington 
        Theatre Company, in association with American Conservatory Theater) 
      OUTSTANDING SOLO PERFORMANCE 
        Elizabeth Aspenlieder, 
        "Bad Dates" (Merrimack Repertory Theatre) 
        Nancy E. Carroll, "The Year of Magical Thinking" (Lyric Stage 
        Company of Boston) 
        Ken Howard, "According to Tip" (New Repertory Theatre) 
      OUTSTANDING NEW SCRIPT 
        Dick Flavin, "According to Tip" (New Repertory Theatre) 
        Ryan Landry (book and lyrics), Ryan Landry and Billy Hough (music), "Whizzin’" 
        (Gold Dust Orphans) 
        Joyce Van Dyke, "The Oil Thief" (Boston 
        Playwrights’ Theatre) 
      OUTSTANDING DIRECTOR, SMALL/FRINGE 
        COMPANY 
        Akiba Abaka, "In the Continuum" (Up You 
        Mighty Race) 
        Judy Braha, "The Oil Thief" (Boston Playwrights’ Theatre) 
        Summer L. Williams, "Voyeurs de Venus" (Company One) 
      OUTSTANDING DIRECTOR, MIDSIZE COMPANY 
        Scott Edmiston, "The History Boys" and 
        "The Light in the Piazza" (SpeakEasy Stage Company) and "Cat 
        on a Hot Tin Roof" (Lyric Stage Company of Boston) 
        David R. Gammons, "Blackbird" (SpeakEasy Stage Company) and 
        "The Duchess of Malfi" (Actors’ Shakespeare Project) 
        Carmel O’Reilly, "The Seafarer" (SpeakEasy Stage Company) 
      OUTSTANDING DIRECTOR, LARGE COMPANY 
        Nicholas Martin, "She Loves Me" and "The 
        Corn Is Green" (Huntington Theatre Company) 
        Carey Perloff, "Rock ’n’ Roll" (Huntington Theatre 
        Company, in association with American Conservatory Theater) 
        Marcus Stern, "Endgame" (American Repertory Theatre) 
      OUTSTANDING ACTOR, SMALL/MIDSIZE 
        COMPANY 
        Will Lyman, "Exits and Entrances" (New 
        Repertory Theatre) and "The Oil Thief" (Boston Playwrights’ 
        Theatre) 
        Richard Snee, "November" (Lyric Stage Company of Boston) 
        Spiro Veloudos, "Cat on a Hot Tin Roof" (Lyric Stage Company 
        of Boston) 
      OUTSTANDING ACTRESS, SMALL/MIDSIZE 
        COMPANY 
        Marianna Bassham, "Blackbird" (SpeakEasy 
        Stage Company) 
        Georgia Lyman, "Cat on a Hot Tin Roof" (Lyric Stage Company 
        of Boston) and "Look Back in Anger" (Orfeo Group) 
        Annette Miller, "Martha Mitchell Calling" (Nora Theatre Company) 
      OUTSTANDING ACTOR, LARGE COMPANY 
        Brooks Ashmanskas, "She Loves Me" (Huntington Theatre Company) 
        Larry Coen, "As You Like It" (Free Shakespeare, presented by 
        Citi Performing Arts Center) 
        Fred Sullivan, Jr., "As You Like It" (Free 
        Shakespeare, presented by Citi Performing Arts Center) and "Blithe 
        Spirit" (Trinity Repertory Company) 
      OUTSTANDING ACTRESS, LARGE COMPANY 
        Kate Burton, "The Corn Is Green" (Huntington 
        Theatre Company) 
        Karen MacDonald, "Endgame" and "The Seagull" (American 
        Repertory Theatre) 
        Cigdem Onat, "The Cry of the Reed "(Huntington Theatre Company) 
      OUTSTANDING ENSEMBLE 
        "The History Boys" (SpeakEasy Stage Company) 
        "The Seafarer" (SpeakEasy Stage Company) 
        "Speech & Debate" (Lyric Stage Company 
        of Boston) 
      OUTSTANDING PRODUCTION BY A FRINGE 
        COMPANY 
        "In the Continuum," Up You Mighty Race 
        "Look Back in Anger," Orfeo Group 
        "Voyeurs de Venus," Company One 
      OUTSTANDING PRODUCTION BY A SMALL 
        COMPANY 
        "Awake and Sing!," Sandra Feinstein-Gamm 
        Theatre 
        "Faith Healer," Publick Theatre 
        "QED," Catalyst Collaborative @ MIT and Underground Railway 
        Theater 
      OUTSTANDING PRODUCTION BY A MIDSIZE 
        COMPANY 
        "The History Boys," SpeakEasy Stage Company 
        "The Seafarer," SpeakEasy Stage Company 
        "Speech & Debate," Lyric Stage Company 
        of Boston 
      OUTSTANDING PRODUCTION BY A LARGE 
        COMPANY 
        "The Corn Is Green," Huntington Theatre Company 
        "Endgame," American Repertory Theatre 
        "Rock ’n’ Roll," Huntington Theatre Company, in 
        association with American Conservatory Theater 
      OUTSTANDING MUSICAL PRODUCTION 
        "The Light in the Piazza," SpeakEasy Stage Company 
        "She Loves Me," Huntington Theatre Company 
        "Show Boat," North Shore Music Theatre 
      SPECIAL CITATION 
        The Howard Gotlieb Archival Research Center, housed 
        at Boston University 
      NORTON PRIZE FOR SUSTAINED EXCELLENCE 
        Rick Lombardo 
      Throughout the ceremonies, musical accompaniment was provided 
        by Barry Rocklin. The celebration was capped with a lobby 
        reception with goodies provided by the kind folks at Upstairs 
        On The Square. 
      -- 
        Photos: Leo Gozbekian 
      -- 
        OnStage Boston 
      
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